This is $Revision: 1.35 $ of the Vaior
grammar.
Vaior Grammar - Algia Vaiori
This is the first language I have created that began its life in an electronic format. My normal habit, starting in the 5th grade and lasting until quite recently, was to devote a notebook to collecting my thoughts on a new language. Using a computer is, not surprisingly, rather an easier way to go about doing this. One side effect appears to be that I'm more willing to decorate a language with irregularities when they can be added, not with a mess of crossed out sections and arrows on a page, but liberal use of the delete key.
The original goal was a smooth, light and somewhat
over-refined phonology to match the similarly over-refined nature how
I expect the language to be used. I'm all for decadent, effete
art. :) What has resulted is a little different
than intended or expected, and to me seems like some bizarre phonetic
creole of Latin, Elvish-clones and maybe some obscure, dead Turkish
dialect, with a grammar pilfered from Inuit (yes, it's in there),
Finnish (a deep esthetic appeal) and Classical Greek (also a deep love
of mine).
Phonology
Consonantsp b f v m t d th n l c g ch h s rh r
Th is as in English or Arabic. Ch is like the German ach-laut, never the ich-laut. A single r is a rather retroflex flap; written double, rr, it is rolled. C is hard (/k/ as in "king") always. Rh can be pronounced as a voiceless version of r at the beginning of a word, but is generally pronounced like a deeply retroflex English sh.
Prevocalic i is a /j/ (Eng. 'y') and prevocalic u is a /w/. Both are somewhat more affricate than in English, such that between two vowels, i in, for example, eien, borders on the sound of a 'j' in French (as in meaSure), or how a Costa Rican speaker of Spanish pronounces 'll.'
When you get a cluster of vowels with i and u both occurring next to each other, work backwards to dermine whether you should interpret them as vowels or semivowels. So, luio is pronounced /'lu:-jo/.
Vowels
i a u
e o
ai au
Since i and u are used to represent a
palatal and a labial glide respectively, these may both be written
with an accent to inhibit that interpretation. See the notes in the
Morphophonemics section.
The unit of word construction is the syllable. So,
any legal syllable may follow any other legal syllables. Legal
syllables:
Notes:
Rules of accent:
/'li:-e/ is written líe and /lje/
is lie. Be careful to correctly accent words like
oríAuo, which is /o-ri:-'ja-wo/ and not /o-'ri:-ja-wo/
(*orÍauo). The accent marker indicates a change in
pronunciation, not the movement of the actual word accent/stress.
[It is entirely possible that this
notation is a mistake, and I should have used a dieresis and spelled
líe as *lië but I didn't because whenever I
see ü I want to pronounce it as in German, and I'm not
going to change it now.]
If for some reason accent markers aren't available,
í and ú may be written as ii and
uu respectively. So, liie for líe and
uueriiu for úeríu.
Illegal vowel clusters are generally broken with an
h though some morphemes may have other preferred ways of doing
that. The vowel clusters ao, oa (oai, oau), oe,
ea (eai, eau) and, more rarely, ae may all occur without
an intervening h. Different speakers have different
preferences, however, and many will not tolerate *ae, using
ahe as expected. Note, though, that oa is never turned
into *oha, though at morpheme boundries ohai and
ohau may occur. In writing spell the form you would speak.
This is the only spelling creativity Vaior allows.
Illegal consonant clusters are generally broken
with a, though a few morphemes have unique remedies which will
be noted as necessary (v. formation of the plural in a
consonant stem).
Since ei is not technically a diphthong, a
word ending in -ei accents the -ei.
Adjective/Stative Verb Stem modifications.
There are a number of stative verb stems which can be used as
adjectives but which violate the world-ending rules of Vaior. Various
changes may take place when the stem is used as a modifier. Stems
ending in two consonants will in general suffix an -a. Stems
ending in -c will change that to -ch, those in -p
become -f. Stems in -t may become either -th or
-n. Stems ending in single voiced consonants are fairly rare,
but -b becomes -f, -d becomes -n, or
sometimes -a is added, and final -g disappears
altogether, the only example of which is SIUG (siu)
yellow. These stem changes will be noted in the vocabularies
as necessary:
Note, though, that these altered forms only occur
in the nominative singular. All other forms will involve the addition
of a vowel which will allow the original form of the stem to be used.
So, for a somewhat odd example: ilo nal rach there is the/a
low stone, but tuaro va nalan racan I see the low
stone.
As implied in the section above, Vaior uses stress
rather than pitch accent. However, using the correct pitch contour of
a sentence is important to sounding more fluent in the language.
Unemphatic statements follow a basic pitch curve
starting neutral, rising slightly to an important word near the middle
to end of the statement, then dropping back to the neutral pitch.
A superordinate clause will follow the standard
pitch curve, but will raise the pitch even further before the
subordninate clause, which will start the standard curve over. Very
often the accented syllable of last word of the superordinate clause
will take the entire glide up to the new pitch, especially when that
word is a pronoun:
Questions which use the correlative question words
(tha, thare, wh- words, in English) do not alter the
standard pitch curve of a sentence.
Yes-no questions, introduced by han take the
standard pitch curve, but han itself is pronounced with a high
to netral glide, often quite pronounced if the speaker is agitated.
Emphasized words, whether moved to the head of a
phrase or not, in addition to having the stressed syllable pronounced
louder, have a high-dropping tone, just like han. This may
sound alarming to American speakers of English, who might also find it
a bit rude.
The primitive roots of the language are mono- and
disyllabic words. They fall into two general classes, nominal and
verbal roots. This last class includes a great many stative verbs
which generate most adjectives.
There are a few basic derivational suffixes which
it's appropriate to mention here. First, to turn a noun root into and
adjective, suffix -o. So nal (rock) gives
nalo, rocky, rocklike. To turn an adjective into a
noun (-ness, the quality of X), suffix -is: CIR
(red) becomes ciris redness. This suffix can
also be added to nouns with the same significance, so nalis,
rockiness.
There are many ways to make nouns from a verb root,
but the two most common are -e which represents the act or
activity of the verb (TUAR - see, tuare -
sight, seeing) and -ia which is the result of the
verb, or the thing most commonly the object of the verb (tuaria
- a sight, sights).
Finally, note that some roots may, by
themselves, break the phonemic rules of the language. For example,
the dictionary form of the verb to smell is PAND.
However, since this word never occurs without some suffix, generally
starting with a vowel, e.g., pando - present tense or
pandia - odor, there is no violation of those rules.
Nouns and adjectives agree in number and case, which
will account for the sometimes surprising distance a noun-adjective
pair sometimes have between them in elevated speech.
Plural The plural is indicated by suffixing
-r to vowel stems and -ir to consonant stems. The
declension is attached after the plural marker is added.
Cases. Keeping in mind that illegal
consonant clusters are broken with a, the declension for all
nouns and adjectives is quite regular:
Notes:
Consonant stems, such as nal rock
take a nominative plural like nalir. When, however, a case
marker is added, the -i- disappears and the case marker is
added, using the euphonic -a- as necessary. So, the
gen.pl is nalri, not *naliri;
similarly, the locative plural is nalrasse.
The locative and ablative forms generally drop the
final vowel if the following word begins in with a vowel, but may do
so anyway when the next word starts with a consonant, too. Note that
the accent stays put when the final -e drops since all these
endings are double consonants. They get their full form at the end of
an utterance.
Since ei is not technically a diphthong, a
word like tuarei will sound /twa-'rej/, with the accent seeming
to be final. Technically, it is tua-RE-i, but the e and
i glide together very easily.
For the genitive, words ending in -u are
written thus: lartúi /lar-'tu-i/ not *lartui
/'lar-twi/. Words ending in -i in the genitive are written
thus: -í. This pulls the accent to the end of the
word, as noted in the rules of accent listed in the phonology
section. If the word ends in -o, the genitive becomes
-hi, aldovei ulmaithohi of an inhuman house.
In a number of idioms and set, stereotyped phrases
the euphonic vowel for the accusative (-n), the ablative
(-lle) and the benefactive (-nte) is not -a- but
instead -e-. So, latiaren for thank you is
really the acc.pl. of latia.
For many speakers the helping vowel for the
accusative, ablative and benefective is always -e-
after dentals, liquids, nasals - t, th, d, l, r, m, n - and the
semivowels u, i. So, enen for the more correct
enan, nante rhonente for nante rhonante.
Personal pronouns are declined like nouns.
Notes:
The 3rd person forms are also used as weak
demonstrative or emphatic definite article:
It is also used as a nominalizer of attribute words
and phrases. See here
Using essa with someone is the pronomial
equivalent of proposing marriage. It is not used in public
except when with close friends in an informal setting. One may use
etta more freely of someone you would refer to as essa
directly. Both are a bit old-fashioned and overuse, especially in
public, might be considered sarcastic.
inna is used as a generic pronoun for making
generalizations, much like English one in sentences such as
one does not spit on the floor. Take care to distinguish
this use, where in modern American English you're likely to say "you
don't spit on the floor", from a sentence like one believes
so in which the pronoun one is acting rather like a
distant or formal first person pronoun. In these cases au inna,
uinna (this one) is used: laurho uinna víal
one believes so.
The adjective tanna same is used in
subordinate and primary clauses to refer to a third person subject of
the sentence: tuaro na tannan he sees himself. (See
also, though, the reflexive marker in the section on verb voice:
tuareio na he sees himself).
There are no separate possesive forms (my,
your, etc.). Genitives are used instead:
If the possessor may be inferred from context, then
there is no need to include it explicitly: anlerai mir enan
aldoven we entered the/our house.
As in many languages, the personal pronouns are
not generally stressed in normal speech. Subject pronouns following
verbs, especially, are generally pronounced with no stress accent.
Not surprisingly, accenting a subject pronoun as a separate word gives
it emphasis.
Pronomial Adjectives. In addition to the
pronouns above, and the correlatives in the next section, there are a
few adjectives which may also stand alone and act as pronouns. Like
the correlatives, they generally precede the nouns they
modify and are very often used with the specifying na/en. When
used with other pronouns they follow (i.e., sa nume -
you alone, only you).
Note the somewhat irregular adverbial forms.
Examples:
These are mostly regular, but not entirely. Those
which deviate from the regular pattern are italicized.
Morphophonemics and Word Construction
So, the future of LÚ is luhu. Places where
these changes are likely to crop up are noted when necessary.
Stress Accent and Sentence Pitch
......
.........---/ \....
Tharo na nume eien orian.
/ ....
...../ ....../ \....
orai na, ar lu paio tanna.
Morphology
Roots
Nouns and Adjectives
Case Ending
Nominatve -
Accusative -n
Genitive -i
Dative -ste
Locative -ss(e)
Ablative -ll(e)
Benefactive -nte
Instrumental -ul, but -vul for
vowel stems
Pronouns
va - I
au inna, uinna I (formal, abstract) mir - we (excl.)
vachir - we (incl.)
sa - you
essa - you (intim.)
sir - you
na - s/he
etta - s/he (intim.)
nir - they (animate)
en - it
ir - they (inanimate)
inna - one, nonspecific 3rd person pronoun
en nal this stone
nir rhonir the very men
nal vai my stone
carme siri your(pl) book
aldoverasse niri in their houses
Piono na carmen tannai he reads his (own) book
Piono na carmen nai s/he reads his/her (someone else's) book
Piono va naien carmen landu. I never read such a book.
Tamir rhonir! So many men!
So au thaie maith? What sort of person is this?
Tharo na nume eien orian. He alone understands this
language.
Ilo carmer tamir airu, pionu va tamran. As many
books as there are now, so many shall I read.
Correlatives
| person | thing | place | time | manner, degree | reason | |
| this | au | ie | viare | vildu | víal | viuhen |
| that (mid) | asu | ase | hare | - | - | - |
| that (dist) | nu, annu | ne, enne | nare | naldu | níal | niuhen | that (out of sight) | erda | eren | that (beyond some barrier) | olna | olen |
| which (question) | tha | the | thare | thaldu | thíal | thiuhen |
| which (relative) | thía | thíe | thire | thildu | thíal | thiuhen |
| any, some | aitha | aithe | aithare | aithaldu | aithíal | aithiuhen |
| all, every | cúa | cúe | cure | culdu | cíal | cuhen |
| no | lul, lula, *la | líe | lure | laldu, landu | líal | luhen |
Notes:
The h- form, or middle, demonstratives refer to things near the person spoken to, or at a medium distance. The n- forms are for distant objects.
The "any, some" forms are simply the question forms prefixed with ai-.
The landu form of "never" is strongly prefered to laldu which is used mostly by the same sort of people who decide "often" is pronounced "off-ten" once they see how it's spelled.
The old negative form *la is almost never seen any longer. The longer forms lul and lula are less likely to be mistaken for na.
The location forms (viare, hare, etc.) may take the three case endings used to indicate motion, so viaren - hither (to here), viarelle - hence (from here). In general the simple form does duty for the locative, though you can say viaresse for emphasis. (See the syntax section for more detail on this use of the cases.)
The longer forms, annu and enne are originally slightly stronger forms of those demonstratives, used when it was necessary to distinguish them from the pronoun usage of na and en, which were originally the shorter form. These have subsequently developed into the independent forms nu and ne, leaving na/en to act as pronouns and the weak demonstratives/definite articles. Nu is more commonly used but since ne is easily confused with en, the longer form enne is more often used.
The additional demonstratives, erda/eren and olna/olen are typically used for emphasis. Talking about something beyond a wall does not require the use of olen unless the speaker wishes to emphasize the distance, which may well be metaphorical rather than spatial.
The declension of au is a touch irregular:
| au, a | auir |
| an, aien | auran |
| ai | auri |
| auste | auraste |
| ausse | aurasse |
| aulle, aielle | auralle |
| aunte, aiente | aurante |
| avul | aurul |
The au form of the nominative singular is preferred before words beginning with a vowel and a before words beginning with a consonant. The au form is also used when for the independent pronoun: so au rhon this is a man.
The aie- forms of the singular accusative, ablative and benefactive are equally common as the shorter forms; in some speakers they are the preferred form. In analogy with these forms, there are a few alternate forms of the demonstrative ie:
| ie | ier, eier |
| ien, eien | ieran |
| iei | ieri |
| ieste | ieraste |
| iesse | ierasse |
| ielle, eielle | ieralle |
| iente, eiente | ierante |
| ievul | ierul |
Speakers prone to using aien will also prefer eien to ien. Note that there is also an alternative nominative plural form here, eier.
Dialect Note: Some people (mostly urban) have started to take the base stem of ie to be eie-, and the base of au to be aie-. This innovation is increasingly popular. The forms above are most correct, but the eie-/aie- forms are now acceptable in even most formal settings.
Anaphora and Cataphora. Any correlative may be made anaphoric, that is, made to refer to something previously mentioned, by prefixing it with i-, or í- before vowels. So, ina tath (that/the woman, the one we're talking about), or more definitely, íannu tath. Note that í- + ie becomes simply íe. To refer specifically to something not yet mentioned, typically something about to be, prefix the correlative with alti-, or altí before vowels (again, altí- + ie is altíe):
Ach evarai na altivíal, "lu leru va aithu." And he said thus (this way), "I will not go away."
So, i- points back and alti- points forward. There is no need to use these if the context doesn't require such precision, but the alti- form is fairly common in reporting speech or narrating a sequence of events.
Please see also Binding
Ambiguity and Anaphora.
Numbers. Vaior numerals are a simple base-ten
system. There are a few peculiarities in the teens, and in the
formation of a few of the ordinals.
cardinal, ordinal Notes:
First, 10-14 are irregular.
Cardinal numerals do not agree in number
with the noun they modify, ordinals do. Both agree in case.
Fractions are formed by suffixing -sin to the
cardinal number, except half is rhassin and
sixth is, by assimilation, pansin. So, sansin
a third, alsin a fourth. In compounds,
-har is -hassin, so tinde hassin a
twentyfirst.
Calendar. Early Vaior is full of calendrical
considerations. Several calendars were used, often all at the same
time, and new calendars were adopted regularly with people publishing
list upon list of calculations relating one calendar system to
another, often in quite fantastic ways. The calendrical fad
eventually settled down, and while the standard European system is
generally used now for most purposes, some people like to keep track
of dates according to some other calendar systems that appeal to them,
the tindarinn, discussed below, being by far the most common
date cycle still in regular use.
Several of the Vaior month names break the
phonological rules of the language, since they are borrowed. The
calendar they come from is actually a Julian variety, but it now
follows the standard C.E. system we're all familiar with. There are
also month names related to the Latin calendar now common all over the
world.
When giving a specific day of the month, give the
month name in the genitive followed by the ordinal number day:
Baramudai serio April fifth.
The days of the week are simply numbers with the
suffix -din (from sun), with monday the start of the
week: monday is hardin, tindin is tuesday, and sunday is
cendin. Note that saturday is pandin not
*pamdin.
"Weekday" and "weekend" don't have exact
translations into Vaior, with dalvidin work day
dalviardin workless day (anomalous derivation) doing
basically the same job.
Time. Except for some of the day cycles, the
vocabulary is about what you'd expect:
Ages are typically marked by compounding an ordinal
stem with a time word, with the genitive of the thing being aged:
serdininne vini the fifth year of the child,
hattadininne nei carmei the first year of that book.
When stating an age of a person there are two
idioms, both using RETH to have with the number of
years:
The ideas of "next" and "last" are indicated with
simple prefixes meaning "coming" and "gone." The unit before and the
unit after also have prefixes. Laid out with an example, as well as
the words related to "day" which are a bit irregular:
For the non-day words, of course use the correct
case to mark the nature of the time relationship.
Clock time. True to its suffix-adoring
nature, Vaior times are formed by suffixes to the appropriate numbers.
The hour suffix, -raiu, is clearly related from raide,
but the one for minutes, -fu, is of obscure ancestry. Both of
these suffixes refuse the euphonic -a-, which means that some
of the number words are abbreviated to give legal Vaior words. Here
is the list of the first 14 hours and minutes to show the
irregularities (Vaior perfers a 24hr clock):
The Tindarinn Cycle. This is the oldest of
the linked day-cycle systems that have nothing whatsoever to do with
lunar or yearly cycles. Originally a liturgical cycle, the ancient
form fell out of use when the standard week of seven days was adopted.
It was originally regarded as three linked day cycles, one of 3, one
of 7 and one of 5 days. Once the seven day week was adopted from
another calendar, the inner cycle of seven days dropped out, leaving a
cycle of 15 days in each tindarinn.
Etymologically, tindarinn is almost certainly
derived from the word number 21, tinde har, the number of days
in the original inner two cycles. Each day of the three day cycle,
the sumbe (< sum - ambe ?*), has its own
name: ich, niei and sum. The days of five day cycle,
the aunge, are simply numbered, except for the fifth day, which
is also called aunge. Here are the days of a single
tindarinn cycle, with a few historical and cultural notes:
September 17th, 2001 is a Har Ich day.
The tindarinn days are commonly abbreviated
with the aunge digit, or A. for the fifth day,
followed by the first letter of the sumbe. So, the first five
days of the tindarinn are 1.i., 2.n., 3.s., 4.i.,
A.n.
Each of the days of the 7 day cycle of the original
tindarinn had its own name. Some people still name the days of
the week after them (starting on monday), but mostly these are used
instead of "A, B, C" for naming groups, teams, elevator shafts, etc.
As is common, the name of the last day in the cycle, aiminiu,
is also the name of the full cycle.
In addition to the tindarinn, there are
several other cycles in use, some with their own day names and some
simply named by number, most mixing numbers and names for particular
days, like the aunge. A complete catalog of such cycles
covering the history and cultural significance of each cycle, as well
as each cycle day, would take several volumes, and that would only
include the cycles publicly available. A great many organizations may
operate by private or even secret calendar systems. Most of these
other cycles are typically used with either the full tindarinn,
the sumbe or, occasionally, the aunge cycle.
Writing out a full date may get fairly complex. For
example, September 24, 2001 is Setemrei 24io,
4.s. 2m. 8m/s. 4L-ri.
Please see this page to
look up the current date in various cycles.
Adverbs. Derived adverbs are simply formed:
lop off any vowels and add -íal. Some primitive adverbs
will similarly end in -l, and there are also a number which end
take a final -u, such as andu (very) and
síu (a bit), though both síal and
andíal may be found in some poetry. A few stems mostly
related to time may take both -u and -íal, and
will have slightly different meanings, for example, lailu -
at night and lailíal - nightly, night after
night.
In multi-syllabic adverbs which end in -u it
is not uncommon for a final -l to be suffixed at the end of
phrases or before a word starting with a vowel. Some words do this
more frequently, though, and are marked with '(l)' at the
end in the lists below.
Prepositions. Prepositions involving movement
generally govern the accusative to indicate motion toward, locative
for location and the ablative for motion away from or out of.
Everything else will typically take the genitive, but see the syntax
section for more precise details.
Note that many of the adverbial forms of the
prepositions (e.g. lerai va aith aldovei I went
away from the house, compared to lerai va aithu I went
away) are often somewhat irregular.
When used in compounds the prepositions take
abbreviated forms of the adverbs where those exist. Basically, chop
of the final -u and one of the doubled consonants if there are
any. So, nurru- becomes nur- in compounds; cerru
becomes cer-, as in ceralia tetrachord (through
four). However, aithu is just aith-, as
auvu is just auv-.
If a derivational marker is attached directly to a
preposition - a fairly rare practice - again the adverbial form is
used, this time by simply removing the final -u. So,
lerromo lofty, very far up.
The adverbial forms ending in -u may also be
used as nouns, with generally obvious meanings. These are almost
always used with genitive nouns in relationship to the preposition
being so used: lerru lasi top of a tree, achurru
palnali proximity of the traveller. Normally these noun
forms are used when the noun they refer to is omitted. Cinai va
lasan. Auchai lerrusse I climbed a tree. It was cold up
there (in-the-above). Note, though, that you would never say,
*auchai lerrusse lasi but instead use the preposition normally,
auchai les lasasse.
In older documents one may find a number of the
prepositions with a suffixed -ri. In this case the word may be
used either as a preposition or as an adverb:
Attested forms: anri, olri/orri, *auri
(uncertain), urri, aithri, nurri, cerri, lorri, imri.
It's not clear what, if any, difference in meaning there is between
the suffixed and unsuffixed forms. More often than not, the
-ri forms seem merely to scan better, though these forms are
also quite common when setting up a contrast: lerai na anri
aldoven, astia ta lerai aithri she went into the
house but (her) friend went away.
Compound Conjunctions. Some of these
prepositions combine with forms of ie to create a few temporal
and logical compund conjunctions. In these situations ie will
be found either in the accusative or the genitive case, with the
latter more old-fashioned, the former more common:
These phrases often take ta. Here are some
common compound conjunctions and connecting phrases:
Pseudo-prepositions. This is a class of
words which act sort of like prepositions, but aren't really. They
are not used to form compounds, for example, and nearly all require a
syntax which differs sharply from that of the prepositions proper:
nearly all govern the genitive, and they all follow the word
they go with.
And, in a final twist, a number of the
pseudo-prepositions are simply the adverbial form of the standard
ones. For example, vai lennu means "up to me."
Note that some of these pseudo-prepositions are
simply nouns made to look like they are primitive adverbs with the
-u or -iu suffix.
Verbs are built from verb stems. Though some verb
stems have an intrinsically intransitive meaning, by far the majority
have a transitive significance in their simplest form. Vaior is
rich in verbal voice forms available: active, middle, passive,
anti-passive, and inverse are all available.
Verb stems generally end in a consonant, but there
are a substantial number which end in -ú, which
introduces a few vowel cluster problems in the future tense, but
nothing too shocking.
The tense system is fairly simple, though there are
a few peculiarities in some of the formations of the past
(OR - speak, talk):
Numerals, Date & Time
0 - sifar
1 - har, hatto (hatt- in compounds)
2 - tin, rhattinn (rhatt- in compunds)
3 - san, sanio
4 - al, alio
5 - ser, serio
6 - pam, pamio
7 - cen, cenio
8 - fur, furio
9 - rith, ri occasionally, in counting; rio
10 - auta, autio
11 - atarr, atario
12 - atinn, atinio
13 - aussann, aussanio
14 - atall, atalio
15 - auta-ser (accent like autAser); auta-serio
16 - auta-pam, auta-pamio, etc.,
20 - tinde, tindeio
21 - tinde har, tinde hatto
25 - tinde ser, tinde serio
30 - sande, sandeio
40 - alde, aldeio
50 - serde, serdeio
60 - pambe, pambeio
70 - cende, cendeio
80 - furde, furdeio
90 - rinde, rindeio
100 - main, mainio
200 - tin main
273 - tin main cende san
1000 - piul
2000 - tin piulir
10000 - auta piulir
100000 - main piulir
1000000 - aio
2000000 - tin aior
January Tobi Ianuarr
February Mechir Faurarr
March Baramhath Marse
April Baramuda Aurill
May Pachon Mai, gen. Maiei
June Paoni Iuni
July Epef Iuli
August Mesori Auste
September Thut Setemre
October Paopi Otomre
November Athor Novemre
December Choiach Decemre
Retho va dininniren sande tin
I am 32 years, I have 32 years.
Retho va sande tin ol I am 32.
-2 rhasler-
rhaslermahinn month before last
rhaslervinu day before yesterday
-1 ler-
lermahinn last month
lervinu yesterday
0 -
ie mahinn this month
avinu, apinu today
+1 tal-
talmahinn next month
tavinu tomorrow
+2 hontal-
hontalmahinn month after next
hontavinu day after tomorrow
Adverbs and
Prepositions
anri aldovomen into the great house
anri lerai na he went in
ur iei leru va aithu after that I'll go away
ur eien leru va aithu after that I'll go away
auvi eien paiai va líen before this I knew nothing
Verbs
| indicative | imperative | subjunctive | optative | participle | infinitive | |
| present | or-o | or-i | or-orrh | or-imm | or-oth | or-ol |
| past | or-ai | or-ati | or-airrh | or-atimm | or-aith | or-ail |
| future | or-u | or-úi | or-urrh | or-úimm | or-uth | or-ul |
As noted in the morphophonemics section, when ú runs into certain vowels it undergo some changes. Here is the conjugation for LÚ deny for comparison. Changes from the paradigm of OR are emphasized:
| indicative | imperative | subjunctive | optative | participle | infinitive | |
| present | lú-o | lú-i | lú-orrh | lú-imm | lú-oth | lú-ol |
| past | lú-ai | lú-ati | lú-airrh | lú-atimm | lú-aith | lú-ail |
| future | lu-hu | lu-húi | lu-hurrh | lu-húimm | lu-huth | lu-hul |
Finally, derived adjectives ending in -o are actually stative verbs. This blends with the present conjugation pulling the accent to the end of the word for the present indicative only. So laso + o > lasó. For all other pairings, such as with the infinitive, use -h- as normal: lasohol.
Notes:
The participle form is at its most basic an adjective. It can be nominalized, though, with the use of na or en:
na oroth vaste - the one/man/woman talking to me
The infinitive is essentially an adverbial form
which can be nominalized in some contexts. It is not generally
inflected, but is in certain idioms found in a pseudo-ablative form
-lle, notably in a usage similar to the (quite rare) Latin
supine: vorh evarolle strange to say.
Evidence markers. In addition to the
subjunctive and optative moods there are a few suffixes which may be
attached to an indicative verb form to modify the speaker's feelings
about the reality of the statement.
The use of these is not required. They are most
frequent in more formal contexts, but are by no means rare in any
context. In contexts where evidence integrity is particularly
relevent (law, arguments of fact, arguments about evidence itself,
scientific contexts, including logic and mathematics) it would be
marked not to use these. It would be construed as either
deliberately obstructionist or perhaps a little otherworldly. Overuse
of -ch and -cha is rude or comical depending on the
situation, but using them in a sentence where the subject is a first
or second person pronoun is potentially incredibly rude, and
non-native speakers should not use it without extensive experience
with Vaior. Avoid -ch / -cha in formal speech.
The evidence markers are generally not used in
translations from other languages into Vaior, with the regular
exception of -rirh and sometimes -ch/-cha.
When a speaker wishes to make a shift into the
formal mode of speach clear, she need merely start using the evidence
markers in every available statement. Since the formal mode is most
evident in greetings and leave-taking, this sudden increased use of
the evidence markers is the most convenient way to shift to a formal
mode mid-conversation.
Voice. There are five voices available in
Vaior with two additional voice-like modifications of the stem. All
but one are formed by simple suffixes to the base stem. To highlight
the differences between consonant and -ú stems, an example
of each is given for each voice.
Notes:
A form like lúíauo is
pronounced like /lu:-wi:-'ja-wo/ (loo-wee-YAH-wo).
All of these voice forms may be further modified by
the various derivational suffixes. Thus it is possible to have a
causative of both an active and a passive stem: tuarnin-
(cause to see) and tuaraunin- (cause to be
seen). See the section on derivational suffixes for more
details.
The voice marker suffixes which end in a vowel will
sometimes result in illegal vowel clusters. The future passive of the
indicative, for example: *tuarauu. In these cases use h
to avoid illegal clusters: tuarauhu.
Object adjective. In common usage, the
passive, middle and obviative stem forms may take the participle and,
rather more rarely, the infinitive endings directly to create
tenseless but voiced words. So, las haudauth the bent
tree, ie carme hienauth this purchased book, etc.
In some ways many of these particles act as
adverbs. For example, they often follow the word or phrase to be
emphasized. However, none of these show any derivation from other
lexical items and rarely display the morphology associated with
adverbs.
Notes: Sentences in which thach occur
often end in úai to moderate the tone. By itself
thach could be considered rude when speaking to any but close
friends or colleagues with an informal working relationship.
Derivation. Vaior has a fairly complex set of
derivational affixes. Not only does it have the full compliment of
tools for turning nouns into adjectives, and for describing
collections of objects (collectives), intrinsically large objects
(augmentive), and so forth, but it also has a set of attitudinal
markers, typically prefixes, which alter the meaning in subtle ways.
For example, evaria is a "saying" but achrevaria is a
saying such as bit of folk wisdom or a proverb. However, the
implication of commonality achr- carries is tinged with a
somewhat pejorative air. These attitudinal markers are quite
frequent, and indeed the standard term for "proverb" is
achrevaria but you should be aware of the additional
implications these carry.
Many of these derivational suffixes will change the
fundamental class of the word. For example, -radi-, "the study
of," is basically a noun-producing affix. Something like -om-,
the augmentive suffix, though, can sensibly be attached to many kinds
of words, so has no effect on the word class. So, there are four
basic kinds of suffixes:
In addition to these classes, any suffix may be
listed as "final." This means it admits no further suffixing. For
example, -ia is a final, substantive suffix.
The most imporant thing to keep in mind with these
different kinds of suffixes is that they form nouns differently. With
a verbal stem, you will almost always form the noun by suffixing
-ia, but with a substantive stem you use -e. With a
stem that is verbal either by nature or by suffix, the -e has a
very specific meaning, namely "the act of doing the verb."
The transparent affixes don't change the class of
the word it is attached to. So, a transparent affix attached to a
verbal stem results in a verbal word.
Remember that a is used to break up illegal
consonant clusters and that h breaks difficult vowel clusters.
The prefixes bind most tightly, and in general do
not accumulate. Suffixes apply their meaning to the meaning of all
preceding elements combined. The various verb voices also may be
involved in a derivational process.
If one wishes to discuss the base meaning of one of
these derivations, for example, -lande skill, you use
the neutral stem as- to hold the suffix. Thus, aslande
skill, asne female, assittal- to
suddenly start. These forms aren't particularly common. However,
taking one of these and then marking it with the generalizing suffix
-ai- is used when discussing the suffixes in grammatical
contexts. So, as-ne-haie the suffix -ne, and
as-ilar-aie the suffix -ilar. A speaker will typically
emphasize the suffix part of such a word, rather than the usual
penulitmate accent.
A number of nouns end in a purely euphonic
-e, such as mave door. In these cases the stem
for any further changes is simply mav-. So, mavo would
be doorlike not *maveho.
Lexical Derivation
The derivations starting with "one who..." refer
to people or things when used as noun, and are simply descriptive -- no
reference to a object -- when used as adjectives.
The comparative and superlative forms of adjectives are formed
with prefixes. There are also matching negative forms:
Attitudinal Derivation
These following commonly go with names, but may also be
suffixed to the stem inn- and act as third person pronouns or
descriptive nouns (penthenvo innahith the poor little thing
is finally sleeping). While many languages use the simple
diminutive (-ati-) this way, do not do that
in Vaior.
There are a few derivational suffixes whose
meaning is quite primitive and which cannot really be considered
productive any longer. That is, you'll see them in dictionary
entries, but you can't use them yourself to create new words.
These are used to make (generally subtle) alterations in the meaning
of a stem, and to produce some nouns.
Vaior retains several derivational markers relating
to matters of aristocracy and of the supernatural. Using these is
always charged, and likely to cause problems if you over-use them.
Nuchalnum is one word which can be
used for the idea of "demon" but really refers to the Void as
an embodied concept or ethos. It is most likely to be
contrasted with sithnum, not panum or
mafnum. Tiarhnum is one word for the universe,
especially for those prone to pantheism. Ilnum is sort
of an Aristotelean unmoved-mover, but is more accurately an
unmoved exister, a fairly sere and cold conception of deity,
but a popular concept with certain branches of philosophical
agnosticism.
To be wildly rude to the deeply religious, a
devoted materialist (in the philosophical, not acquisitive
sense) can make faux prayers to nir cehathnumir (the
"Sleepers" - sexual connotation) for good luck or protection.
In a secular society, though, calling on nir cehauthnumir
is fairly mild.
Compounds. Due to the rich derivational
morphology and syntax available, compounding of substantives is more
restrained than in some languages. However, prepositions are quite
often prefixed to verb stems, most frequently those having to do with
motion, e.g., cerler- between-go,
aithpaln- away-wander. The resulting verbs will
govern objects in the appropriate cases for motion (accusative,
locative or ablative) as though the preposition were governing the
noun (or adverb) directly: anlerai na tath naren the woman
entered (into) there.
Compounds have the base meaning of the word as the
final element with the modifier the first element: chulnale
black-stone (coal).
As usual, illegal consonant clusters are broken with
a euphonic -a- except when the first element of the
compound is a transitive, active verb, in which case -i- will
be used: penthimile sleep-room; bedroom. This
-i- is the most correct usage; it's slipping away in favor of
always using -a-.
If a verb is the first element of the compound, it
should take the appropriate voice markings if necessary:
faunaumavo shut-door (this refers to obstructionist
civil servants who are high-enough up to have doors to shut you out).
Form the base meaning of compound first with simple
roots (or the correct verb form for the first element if appropriate)
then apply the correct nominal, verbal or adjective suffixes.
Compounds do not honor the basic type of the head of the compound.
So, even though mil room is at its basic meaning a
noun, when in compounds it must still be marked with a final -e
when used as a noun, so penthimile. Derived words ending in
-inn will not, however, take this -e. So,
iasimhamrinn.
Just as you would not use nalatie just to
refer to small stones, but instead pebbles, do not use compounds
except to describe intrinsic relationships between the parts of the
compounds: chulnale is not merely a black stone, but coal.
Compounds which describe a particular kind of thing
or action (chulnale coal, a very particular type of rock) or
which together describe something (faunaumavo a particular kind
of person though that isn't in the compound itself,
i.e. bahuvrihi compounds) are allowed in Vaior.
For the most part, other sorts of compounds (such as
dvandva parent-teacher conference) are infrequent. The main
exception are dvandvas which are sometimes used to cluster together
related ideas. For example, nolgamundia generalizes sexual
attraction, and súinlidia peace. These are fairly rare.
Some common compounding prefixes:
Existence Markers. Vaior has a set of
prefixes which designate the existence or non-existence of of an
object under consideration. These prefixes are ultimately derived
from IL and
NUCHAL so fairly sophisticated
tense considerations come into play. There are two sets of prefixes,
one set refering to existence relative to the speaker's present time
and one set which refer to the time relative to the tense of the
primary clause. Different prefixes are used for aninmate and
inanimate nouns.
Relative to the speaker's current time:
Active -
or- lú-
Middle -i-
ori- lui-
Reflexive/intransitive -ei-
orei- lúei-
Passive -au-
orau- lúau-
Anti-passive atha-
athahor- athalú-
Inverse -ers-
orers- lúers-
Obviative -íau-
oríau-
lúíau-
Particles
Derivation and Compounds
aldove + -om- > aldovome
TUAR + -om- > tuaromia means "a great sight" but...
tuarome is "a great seeing."
corhandavai va nan means I heard him, I heard
everything he had to say completely;
pionandavu na eien carmen means he will read this book to
completion (and understand it).
ro dauchandavo va enan! I have found it!
| Animate | Inanimate | |||
|---|---|---|---|---|
| existence | non-existence | existence | non-existence | |
| past | ili- | (an)chali- | ili- | nuchi- |
| present | ilio- | (an)chalio- | ilio- | nuchio- |
| future | iliu- | (an)chaliu- | iliu- | nuchiu- |
The animante non-existence forms may be either full, anchalio- or abbreviated chalio- as the speaker sees fit, with a slight preference for the full form:
Pionai va eien nuchiucarmen. I read this book (which will not exist).
Pionai va eien nuchiocarmen. I read this book (which does not exist).
Relative to the tense of the primary clause:
| Animate | Inanimate | |||
|---|---|---|---|---|
| existence | non-existence | existence | non-existence | |
| past | uili- | onchali- | uili- | onchi- |
| present | uilio- | onchalio- | uilio- | onchio- |
| future | uiliu- | onchaliu- | uiliu- | onchiu- |
Pionai va eien onchiucarmen. I read this book (which would not exist).
* Pionai va eien onchiocarmen. I read this book (which did not exist at the time of reading - a strange thing to say).
Pionai va eien onchicarmen. I read this book (which did not exist prior to then).
Since all of the existence markers end in vowel, there is a strong preference to use a euphonic -h- before words beginning in a vowel: iliuhinthal a singer who will exist.
These prefixes merely situate an object under
consideration in time. These do not change the meaning of the word in
any other way, so don't use them to try to derive the word "adult"
from "child:" iliuvin means "a child which will exist some
point in the future" and nothing more.
Base word order. The fundamental, basic word
order in Vaior is Verb - Subject - Object(s). However, this
should be considered a strong principal of word order, not a
rule. Give the clear case endings, there is considerable
flexibility in word order.
In general, modifiers follow the thing modified:
A word or phrase may be moved to the head of the
sentence for emphasis, and to avoid binding ambiguity.
While in general adverbs follow verbs there is a
strong preference to avoid separating a verb and its subject pronoun,
especially with negation, so you would never say *oro lamíal
va (I speak well), but instead oro va
lamíal. However, oro lamíal tath (the
woman speaks well) is just fine. In the case of negation you can
say paio va lu (I don't know) but generally the
negative adverb will precede the sentence, lu paio va. This
tendency to avoid separating verb and subject is followed with subject
nouns rather less frequently, but is especially common with negation.
Adverb groups. Adverbs and prepositional
phrases may modify a sentence by specifying the manner, time or place
something is happening. When several of these occur together in a
sentence there is a prefered word order. For example, in English
place generally precedes time, so "I went to the store yesterday" is
fine but *"I went yesterday to the store" sounds a bit off, though you
can also say "yesterday I went to the store." In Vaior, the preferred
order is Manner - Time - Place/Direction. You can also move
the time to the head of the sentence, but unlike English, this
requires some extra syntax in Vaior. So:
To move the time adverbial or prepositional phrase
to the head of the sentence, move the phrase but put the conjunction
ar before the sentence:
This usage derives from an emphatic usage
(i.e., "(it is) tonight (that) I will come") but is no longer
emphatic in any way due to abbreviation. This form is never used in a
dependent clause introduced by ar or one of its compounds.
Negation. Normally the negation lu
not will follow the word to be emphasized. The most
important exception to this is when negating an entire sentence, when,
as mentioned earlier, lu will generally lead the sentence.
Finding lu not at the head of the sentence emphasizes the
negation of a particular word or phrase:
Sentence (4) is a bit unusual since it separates the
verb and the subject pronoun, which is normally avoided in Vaior.
This strong verbal emphasis is the only time it's allowed.
Vaior negation words do not negate other negation
words. That is, "I know nothing" can be lu paio va líen
as well as the shorter paio va líen. You can even say
lu paio va líen landu with the basic meaning "I never
know anything." The change is in emphasis, so the simplest form, with
a single negative, is most common in normal speech.
There are several ways to specify an object's
attributes. In Indo-european languages this is generally accomplished
with relative clauses and adjectives. Vaior is much the same but the
use of adjectives is a little unusual.
Base Adjectives. Adjectives are simply
stative verbs. When modifying a noun in a noun phrase the stem can
simply be treated as a traditional I-E adjective which must agree in
number and case with the object it describes, so nalir chulir -
black stones. (In reality, this is just a sort of sharply
abbreviated relative clause.) However, in an attributive statement
(The stone is black) the adjective reverts to the verbal
form. So, chulo nal, never *so nal chul. In this
attributive statement there is a tendency for the noun to head the
sentence, nal chulo, though this order is never used when the
subject is a pronoun.
Derived Adjectives. Derived adjectives are
treated just as base adjectives. Note that those which end in vowels
will insert an -h- before conjugations, except that the o +
o combination becomes -ó: ulpaió va rul
ievul I'm ingorant about this; but ulpaiohu na
he will be ingorant. Keep in mind the phonetic rules about
the -oa- combination, though, for the past: ulpaioai is
perfectly acceptable, as is ulpaiohai.
Comparatives and Superlatives. For simple
nouns being compared, the ablative is used with the thing compared to:
piono sa mielamíal valle you read better than I
(do). When sentences or verbs are compared, olta
introduces the thing compared to: oro na mielamíal, olta
ercorho tanna he speaks better than he listens. The
speaker may introduce a note of irritation or sarcasm by casting the
olta clause in the subjunctive.
To state equality of quality, "as ADJ as X", use
this: ADJ .. tamíal tul X-i. This phrase means
basically "ADJ as-greatly like X." Note that the thing being equated
to is in the genitive, since it follows tul: lamo ie carme
tamíal tul asei this book is as good as that
(one).
When comparing verb phrases or adverbs, the format
is basically the same: ADV tul ar VERB. The
only difference is that tamíal tul has been replaced
with the phrase tul ar: rhithai ta Saival Auhal
faríal tul ar aspovo then the North Wind blew as
strongly as it could.
See this for using
adjectives as commands.
Attributive Prepositional Phrases. Like
English, Vaior allows you to use short prepositional phrases in the
attributive position to modify a noun: rhon mus lasasse a
man under a tree, cam len rauathasse a cup on a
table. If you have adjectives modifying the noun, then that will
go to the front of the noun: ie tais cam len rauathasse
this small cup on the table.
Nominalization with en and
na. These third person pronouns, in singular and plural,
can be used with attributive words and phrases, omitting the noun.
For example, maithir an adimasse people in the desert
can be shortened to simply ir an adimasse those in the
desert. This same construction can be used with attributive
adjectives and genitives: so ie en vai this is mine;
corhai va niran orsadiran I heard the drunk ones.
Nominative. The nominative is the subject of
sentences. It is also used after the vocative particle e in
direct address.
Accusative. The accusative is used as the
direct object of many verbs. It is also used to specify or focus the
meaning of a descriptive word, usually an adjective. This is often
best thought of in translationese as "with respect to:" a rhon fin
urtheren this man fast (with respect to) feet. One can
also say fido a rhon urtheren. This construction is sometimes
called the "accusative of respect."
If the accusative is the direct object of a verb,
then the accusative is used as the object of any of the noun forms.
In most European languages this is done in the genitive (in English,
"of", "'s"). For example in "the killing of deer is illegal" the
object of the nominalized verb is "of deer" which acts as the genitive
in English. In Vaior, you would instead simply say lu
ceivinnó ramche lautan killing a deer is not legal.
Dative. The dative is used for the indirect
object of verbs. It is used after the vocative particle e in
letter salutations, and in swearing by gods.
Objects. The object of a verb may take a
number of cases. In the most common situation, it will simply take
the accusative for the direct object. However, an originally
accusative direct object may be expressed in the instrumental, in
which case the object is despecified a bit, and takes on an indefinite
meaning:
If it is necessary to specify an instrument and an
indefinite object, the instrument will come after the object
or directly before or after the verb (generally before it if the
subject is a pronoun, since separating the verb and subject pronoun is
strongly avoided):
You may of course also say, tuaro va aithen
nalan but in this case that it's a rock I'm seeing is still
important, though I have unspecified which rock. In
tuaro va nalul that I'm seeing is more important than
the rock, though I'd still like to get the rock into the picture.
Motion without a Preposition. Although in
indicating motion the accusative, locative and ablative are often used
with prepositions, a word may stand in these cases ungoverned by a
preposition when the meaning is clear:
Time. The accusative indicates the time at
which something happened (lailan at/during the night)
and the ablative indicates a duration, time within which (pinrall
alalle for four days). The time since which something
has happened is indicated with the preposition ol with the
genitive for nouns: ol pinri ali since four days
(ago). With adverbs, such as lervinu, there is no case
marking: ol lervinu since yesterday. Time until
something happens is indicated with an plus the accusative,
an lailan until the evening. Again, no case marking
for an adverb: an alailu until this evening. Time
within which something happens is usually indicated with the ablative,
but can be emphasized with ol with the ablative.
Approximate times are indicated with achur
with the same case indications as above.
Prepositions. In prepositions of motion the
accusative case indicates motion towards, the ablative
motion from and the locative location:
Most other prepositions take the genitive, but a few
take the instrumental, notably rul, regarding.
Prepositions which take the genitive may sometimes take the
instrumental when the speaker wishes to emphasize the prepositional
relationship or the agency of the subject of the sentence, so lerai
na aith aldovevul (she went away from the house) implies
that the person leaving did so with intent or deliberation, but
lerai na aith aldovei is simply a statement that she left.
Normally a preposition will precede the noun phrase
it goes with. Rarely does a preposition follow, except in poetry,
though imhi and cervi quite often follow even in prose
and everyday speech. If, however, the noun phrase has two substantive
elements (noun + adjective), then it's quite common for the
preposition to go between: aldoven an achinan into an old
house. In elevated language this can also happen with
demonstratives: iess an suepiaresse in this shop.
Tense. In primary clauses the use of the
tenses corrosponds to actual time. Note that you say I'm going
tomorrow always as leru va tavinu, never *lero va
tavinu. If refering to the future, use the future tense.
In subordinate clauses the tense used is relative to
the tense of the primary clause, where the past is used for things
before, the future for things after and the present for things
happening at the same time as the event in the superordinate clause.
Aspect. There are several ways to modify the
aspect of a verb. First, there are a large set of derivational
affixes which operate on aspect, such as -ittal-
begin, etc. Temporal adverbs may modify the aspect in subtle
ways. Finally, there are several particles which modify aspect.
There are several sets of these which differ in their syntax. First,
let's look at those which must immediately precede the verb:
The only time these do not directly precede the verb
is when the clause is connected with ta, in which case the
order is aspect particle + ta + verb.
The perfect indicates that the action was completed
and that this completed state is still the case at the time indicated
by the verb tense. So, the present perfect (ro fauno va maven)
simply indicates I have closed the door without reference to
when that happened, merely that the door is still closed at the
moment. Ro faunai va maven means I had closed the
door and depending on context may well mean "but it isn't closed
now."
Finally, the experiential states that at the time
indicated by the tense of the verb you have had the experience of
doing the verb. So, Han ce piono sa eien carmen? means
Have you read this book? but the emphasis is not on the
completion of the action (English uses the perfect for this
experiential meaning, too). A better example is Han ce tuaro sa
carmen vai?, Have you seen my book? with the implication
that it's being looked for. This might best be translated into
English by putting "ever" before the verb, so, "have you ever seen my
book?" although this forces a past implication in English which is not
present in the Vaior sentence.
Both ro and ce may go with participles
and infinitives.
In addition to moderating the tone of commands, the
sentence particle úai can be used with a prospective
meaning, "about to," pentho na úai she is about to
sleep; lerai va aithu úai I was about to go
away.. The future prospective is generally only used to describe
something a speaker is trying to do but cannot due to repeated
interruptions, and indicates frustration: Ravu va eien vendian
úai! I was about to answer this question!. Often
úai will move to the head of the sentence when marking
the prospective.
The prospective is only used in main or independent
clauses. Use the simple future in subordinate clauses, or use a
future participle.
Voice. The several voices Vaior offers are
not terribly complex. The active and passive work as in most
languages: tuaro va I see, tuarauo va I am
seen. The agent of the passive, if expressed, is in the ablative
case: tuarauai va salle I was seen by you.
In the middle, the original object becomes the
subject, like in the passive. Unlike the passive, the original
subject is not ever mentioned, and is in fact irrelevant: tuario
va *I see/am seen.
The reflexive simply marks the subject as also being
the object of the verb. This is often used to make a transitive verb
intransitive. Take care to distinguish this from the middle. For
example:
The reflexive is also used with transitive verbs,
sometimes with pleonastic objects: ertuareiai nir ereldun
they looked-at-each-other at each other. In theory,
ertuareiai nir is sufficient and probably best. This usage
appears to have developed out of some reflexives which take additional
complementary or focusing objects. For example, ihinneio na
she washes (herself) is quite frequently followed by more
specific objects: ihinneio na hauran she washes (herself)
her face.
Although the middle is generally only applied to
transitive verb stems, there are a few intransitives which sometimes
appear in the middle, generally in impersonal idioms which have no
stated subject.
In the anti-passive the original subject is made
much more important, and the original object may not be mentioned at
all. If the original object is needed, it usually goes into the
instrumental if it was originally in the accusative. So, compare:
pionai va eien carmen I read this book to
athapionai va ievul carmevul *it is I who read this
book. This is case switch is related to the despecifying use of the instrumental in simple
active sentences.
The anti-passive prefix with passive, middle or
reflexive suffixes are found from time to time, forming
anti-anti-passives, emphatic middles and emphatic reflexives:
athapionauo ie carme it is this book which is read.
This is fairly rare except for a few middle and reflexive forms which
have become lexicalized, such as inlei-, for example.
The inverse simply switches the subject and
object, so that the previous subject is now the object, the previous
object now the subject: pionersai carme van the book
is-read-by me (with no passive significance in Vaior).
This is rarely used without both subject and object expressed, if only
by implication.
Finally, the obviative is used where English often
simply uses an intransitive form, to express how an object is being
perceived, "I smell the flower" is a normal active verb, but in "the
flower smells awful" the verb "smell" is an obviative: pando va
eien I smell this and pandíauo ie
valdíal this smells good. Where English uses an
adjective, Vaior uses an adverb to qualify an obviative verb. Use of
the obviative form is limited to verbs of perception: "see, hear,
smell, touch, taste" and similar words. It can also be used with
words like CIAM experience in ciamíauai ne
rombia urvíal *"that party experienced badly."
Mood. The indicative mood is used in simple
statements and questions. The imperative is used in giving or
reporting commands. The subjunctive indicated various flavors of
unreality, supposition or possibility, with the future subjuntive
acting much like the conditional in English. The use of the
subjuntive and optative is more restrained than in the classical
languages (Latin and Greek).
Indicative. This is the mood used for
simple statements and questions both direct and indirect. It is used
in conditional sentences for generalizations and for conditionals when
the reality of both clauses is known.
Imperative. In independent sentences the
imperative is used only when giving commands in the second person:
leri aithu! Go away!. If a command is given to
several, include the pronoun sir: aithu leri sir!
you all go away!. In indirect speech the imperative is used
to report commands, regardless of person: evarai na niraste/vaste,
ar leri aithu she told them/me to go away. If the
person/people being commanded are stated in the primary clause there
is no need to reiterate that in the indirect command. However, it is
possible to recast the statement above as evarai na, ar leri nir/va
aithu without changing the meaning.
Normally the imperative is used in the present form.
However, in mixed conditions and in
reports of commands, the other tenses of the imperative are used.
Subjunctive. This is used primarily in
conditional sentences which are contrary to fact or which are
supposition/hypothetical. In independent statements the subjunctive
is used to indicate possibility: anthorrh ie this may be
true. Finally, the subjunctive is sometimes used in deliberative
questions and indect questions, making the question rhetorical or
hypothtical: han anthorrh ie? might this be true? Or
in, lu paio va, han anthorrh íe I don't know if this
(just mentioned) might be true.
Optative. In independent sentences this is
used to express a wish: anthimm ie May this be true.
It is otherwise found in dependent purpose clauses, which will be
explained in the section on complex sentences. Given the basic
meaning of this mood, it will sometimes crop up in dependent clauses
after statements of wish, desire, hope and anticipation: asaulo va,
ar talúimm na apinu I hope that he will come
today.
The Infinitive. The base significance of the
infinitive is adverbial: it modifies the meaning of another verb. It
is occasionally used to specify the meaning of an adjective, too:
lam orol good at speaking. This specified usage is
only used when the adjective is acting as a substantive modifier:
corho va rhonan laman orol I hear the man good at
speaking. He is good at speaking is simply oro na
lamíal he speaks well.
The infinitive is sometimes found in a
pseudo-ablative form which acts much like the Latin supine. It is
only found with adjectives with the significance "ADJ to V" and acts
as an adverbial phrase within a larger clause: varh evarolle, lu
paio na eien strange to say, he doesn't understand this.
The Participle. The participle in Vaior is
much more widely used than in English. Though perhaps not quite so
frequently used as in classical Greek or Latin, it is widely used
where other languages would use a relative clause: tuarai va
rhonan pionothan carmen I saw the man reading a book.
In addition to the relative use of the participle,
there are two main uses for it: temporal ("when; before; after") and
concessive ("although").
Examples wanting.
Please see also Binding
Ambiguity and Anaphora.
The participle is also quite frequently found in the
instrumental absolute.
Anaphoric verb. The anaphoric verb
AS- is only used otherwise as a neutral place-holder for
discussing the grammar of Vaior. It is used when you wish to refer to
a verb in answering a question, adding new information, etc.
For example:
Paio va, tíar dauchandavauai en carme
I understand that the book was found.
Note that the tense, aspect markers and mood are
inherited from the antecedent verb, but nothing else (derivational
suffixes, voice) is.
Simple statements are discussed at the beginning of
the syntax section.
Most sentences will have subjects. Those relating
to weather and climate, however, do not: uto airu it's
raining now.
Questions. A simple statement is made a
question by prefixing the statement with han. There is no
expectation about what the answer will be. Somewhat informally,
han may be at the end of a sentence in which case a positive
answer is exepected: ro fauno sa maven, han? you've shut
the door, right? An expectation of a negative answer uses han
lu at the end of a statement.
Question words do not necessarily alter the word
order of a sentence. So, what are you doing will be iso
sa then? though of course the question may be emphasized by
bringing the to the head of the sentence with the particle
ta: then ta iso sa? There is no need for han in a
sentence which already has a question word. You may, however, load
down a sentence with several question words: isai na then
thaldu? what did she do when?
Commands. A simple command is simply given
by using the imperative mood. A bare imperative, however, is fairly
abrupt and will generally be moderated by using the particle
úai or by adding a parenthetic mido va I
request to the statement, or even both: silhi úai, mido
va please remain (I request).
When giving commands of the 'be X' sort, the stative
verb (adjective) generally takes the -an- become X
affix. So, lu demani don't be(come) proud; or
fadani úai be silent.
Requests. A polite request is typically
stated in the optative with the particle úai, which may
occur early in the sentence near the verb or after the subject, or may
be the last word in the sentence: lerimm va úai I
would like to go. You could translate this also as, "May I
go?" but in Vaior such a request is not really a question but a
statement of intent with an opening for comment by someone who might
object.
Suggestions and Wishes. In English we use the
conditional to express wishes, "I would like some coffee." In Vaior,
this can either be cast as a request following the formula mentioned
in the previous paragraph, but a past subjunctive, rarely with
úai, can also be used: cauan conairrh va. This
is used for polite suggestions as well, aithlerairrh vachir
we should leave.
Conjunctions. Vaior has the standard
complement of conjunctions. It also has a number of enclitic
conjunctions to which it is quite partial. Enclitics are quite
frequently the second element in a clause, but easily move to follow
whatever word they logically go with. In connected Vaior very few
sentences are not connected in some way to the preceding one.
Especially for words such as ta, uri and min, it
is often best not to translate them into English at all.
Enclitics
Non-enclitics
The use of uri... ta... requires some
comment. By itself, ta is the standard word for a contrasting
conjunction, "but." However, it's used more widely where an English
speaker would use "and." It is often used to join sentences in a
narrative. Both uri and ta are enclitic, that is, they
have no accent of their own. They never begin a sentence, but
typically follow the first word in a clause. Note particularly that
the strong aversion to separating a verb and its subject pronoun is
ignored with both: evarai ta nir líen (but they said
nothing). If you wish to emphasize the subject pronoun, then
this is acceptable: nir ta evarai líen (but
they said nothing). It is, however, quite common to
simply follow the words you are contrasting with uri/ta
regardless of where they fall in the sentence: tuarai va uri nan,
lerai sa ta aithu I saw him, but you had gone
away. Often uri/ta will come between a demonstrative and
the noun it modifies:
When a word or phrase is broken out of the normal
word order and moved to the head of the sentence for emphasis, it is
quite common for that word or phrase to take ta without
necessarily implying a strong contrast. So, eien ta lu paio va
I don't understand this.
The adverb me also, too behaves
similarly to ta. It is not accented. It follows the word it
modifies, and often the word or phrase it modifies is moved to the
head of the sentence for a slight emphasis: va me ce piono eien
carmen I too have read this book, or, eien me carmen
ce piono va I have read this book also. Of course, you
may also simply say ce piono va me eien carmen I also have
read this book..
The meaning of the combination ta me
contrasts slightly with either ta or me. In English,
the word "also" really has two uses: 1) to add something to a list,
"he went; I also went" or 2) to add futher information, "he went; he
also went to the store." By itself, me usually refers to the
first usage, but can be used for the second. However, ta me
always has the sense of adding additional information:
Ri. In poetic language only there is
another construction used to set up contrasts. It involves the use of
the demonstrative pronouns followed particle ri in successive
clauses. Basically, replacing both uri and ta with
ri whenever demonstratives - and en/na - are used will
give you the structure. So, rephrasing the sentence from the
discussion on uri/ta above:
This particle will, again in poetic text, often
replace the ta of the compound
conjunctions, so auvi ri eien paiai va síen
before this I knew little.
Ach. This conjunction is used primarily to
connect lists of non-contrasting things: ilo ach lune ach lef
there is both soup and bread. You could have something like
ilo lune, lef ta me which means something like there's
soup, but also bread. Ach is rarely used to connect
sentences, but may be used when listing a collection of actions that
happen to be going on and are somewhat independent: piono mama, ach
pentho papa ach mado aune mom's reading, dad's sleeping and
(my) sister's painting.. When the details of what is going on
are important, you'll use something more like this: piono uri mama,
pentho ta papa, mado ta aune..
The simplest complex sentences are simply complete
and largely independent statements connected by the conjunctions
ach, ta, ei/eia, etc. In these all the
tenses of the clauses are relative to current time.
Tanna. In subordinate clauses, when a third
person subject is the same as in the main clause use tanna to
refer to the subject pronoun. Once a third person subject is
introduced, tanna in all subordinate clauses refers to that
subject. If there is no change in subject, the subject may be omitted
from subordinate clauses: Pionai na eien carmen, ar paihimm
lamíal He read this book in order that (he) might
better understand. More examples:
Sequence of Tenses. There is one vitally
important rule for the use of tenses complex sentences:
This use of tenses relative the tense of the main
clause applies to all types of complex sentences, as well as particles
and complement infinitives. This relative tense usage isn't terribly
odd, really, but may be surprising to native speakers of English and a
few other modern Indo-European languages.
Mood in subordinate clauses. The specific
details of which mood to use in a subordinate clause are discussed in
the sections below on the various clause types. Typically, though,
the indicative is used to refer to real events, the subjunctive to
refer to hypothetical situations and the optative in statements of
desire, will or intent.
At various times stylists have played around with
using the evidence markers in subordinate clauses, but these introduce
numerous complications, especially in determining to whom the evidence
marker actually refers. With little effort one can produce complex
sentences which hover at the edge of the sort of total semantic
breakdown that makes post-structuralists giddy. If you're trying to
communcate actual information, rather than making some ironic comment
on the limitations of language, it's best to avoid evidence markers in
subordinate clauses in your own speech and writing.
Conditional Sentences. There are several
sorts of conditional sentences. All of them use on at the
beginning of the condition clause and aron at the beginning of
the consequent. If the condition is in any mood but the indicative
on may be omitted; aron is required.
Several of the conditional sentence types come in
two flavors: general and hypothetical. The hypothetical versions may
be considered "what-if" conditions in which the speaker is posing a
situation for consideration, but isn't committing to the reality of
either the condition or the consequent.
General Conditions. These are simple
statements of cause and effect or habitual activities. Both clauses
are in the indicative, past or present: on tisai, aron anlerai mir
aldoven if it rained we entered our house. A hypothetical
general condition takes the subjunctive in both clauses, which will be
of the same tense.
Future Conditions. These come in two
varieties: general and hypothetical. The general future condition is
a simple statement of what will happen after some precondition is met,
and both clauses are in the future indicative: on pionu sa eien
carmen, aron paiu sa lamíal If you (will) read this
book, then you will understand better. The general future
condition may be considered an extension of the meaning of the general
conditions discussed above. For the future hypothetical, the future
subjunctive is used in both clauses: on pionurrh sa eien carmen,
aron paiurrh sa lamíal If you were to read this book,
you would understand better.
Past/Contrary to Fact Conditions. These are
used when the condition was not fulfilled. So, "If you had read this,
you would understand better." These have the unfulfilled condition in
the past indicative (not necessarily the past perfect, as in English)
and the consequent is in the present or future subjunctive: on
pionai sa eien carmen, aron paiorrh lamíal If you had
read this you would have understood better (then) versus on
pionai sa eien carmen, aron paiurrh lamíal If you had
read this you would understand better. Again, a condition may be
made hypothetical by putting the condition clause into the past
subjunctive.
Mixed Conditions. From time to time
conditional types will be mixed, often to lend vividness to a
discussion. However the most common sort of mixed condition is one
where the antecedent is normal but the consequent is an imperative
command, on mindu íe, aron telefonathúi vaste
úai if this happens, telephone me. This is by far
the commonest use of the future imperative form.
Relative clauses. These are essentially
extended adjectives, and take the indicative: tuarai va rhonan,
thía piono carmen I saw the man who was reading a
book. Note that in the sentence above the relative heads the
clause, with the verb immediately following. This word order is by no
means required, and tuarai va rhonan, piono thía carmen
is quite acceptable, too.
In fact, it is quite common to find the relative
pronoun being used in a somewhat anaphoric sense refering to a matter
in a previous sentence:
This use is most common when commenting on something
and a contrast is necessary or if further description is required. If
in the dialog above if A had asked B instead, han lairho sa annun
rhonan the correct response would be either a simple lo or
lu lairho va nan. In the dialog above, B is essentially saying
"you mean that man I don't know?"
The usage for the relative forms of the other
correlatives are used the same: lu uto, thiren lerai na it
isn't raining where he went may be found also as lu uto,
lerai na thiren.
Please see also Binding
Ambiguity and Anaphora.
Relative Negative and "Every-" Correlatives.
In addition to the relative pronouns and adverbs, the negative and
universal correlatives may also act as relative pronouns in many
situations. In reality, these are simply slight abbreviations of the
fuller relative forms. When more complex relationships arise, the
full forms are used. For example, the full form:
In this sentence both cúe and
thíe are in the same case. Since no confusion can arise
here, the relative may be dropped, giving this:
This same process works with the negative pronouns:
If, however, the case changes between the object
pronoun and the relative the fuller form should be used:
An English sentence like "I see everyone singing"
has a slight ambiguity. I could mean "I see everyone who is singing,
but no one else" or it could mean "I see that everyone is singing."
In the first case in Vaior you should always use a relative clause:
In the second situation you're observing everyone
engaged in a particular activity, and the participle is most used
here:
Purpose clauses. In English, purpose clauses
are often introduced with the phrase "in order to/that." In Vaior the
conjunction ar is used followed by the optative mood: Pionai
na eien carmen, ar paihimm tanna lamíal He read this
book in order that he might better understand.
If the speaker wishes to emphasis that the action in the purpose
clause was actually accomplished, the conjection arta followed
by indicative may be used: Pionai na eien carmen, arta paio tanna
lamíal He read this book in order to better under stand
(and he did so).
Result clauses. The basic meaning of result
sentences is "A happened, with the result that B." For example, "he
spoke so skillfully that everyone listened to him." Result clauses
are indicated by ar followed by the indicative, so the sentence
above in Vaior is orai na lamíal, ar ercorho cúa
tannan spoke he skillfully, (so) that listen all (to)
him.
Verbs of command and permission typically take
result clauses if the order or prohibition were obeyed. Otherwise
they take report clauses.
Report clauses. After verbs of showing,
saying, believing, agreeing, perceiving, ordering and forbidding, use
tíar + indicative (reminder: in informal language this
may be shortened to just ti):
It is in report clauses that Vaior speakers are
most tempted to use the evidence markers in a subordinate clause.
This sort of thing is frowned on in modern usage, however. If the
speaker wishes to distance himself from the reported statement, then
the subjunctive may be used in the subordinate clause: corhai va,
tíar pionairrh ennen carmen I heard that he had read
that book..
Verbs of command, permission and prohibition will
take report clauses in present and future tense. In the past, an
order that wasn't followed will be cast in the subjunctive.
Some speakers, when talking about their own commands
and prohibitions, will use will/desire clauses with the optative.
Statements of opinion and belief may take either the
indicative or the subjunctive as the speaker sees fit. Negative
statements of opinion very often take the subjunctive, however:
Indirect questions are much like report
clauses, and can use the indicative: lu paio va, tharen lerai
na I don't know where she went. The subjunctive may be
used to intensify the uncertainty of the question: lu paio va,
tharen lerairrh na. Also, sottai va han anthorrh ie I
wondered if this were true.
Will/desire clauses. There are two types of
these clauses, one where the subject of the desire is the same as the
subject of the action desired (I want to go) and one where
the subjects of the two clauses are different (I want you to
go). In the first case, simply use the infinitive, tuvo va
lerol, or the derived verb, lertuvo va. In the second, use
ar + indicative or optative. Using the optative is more
emphatic, but adds a faint sense that the desire is likely to be
unfulfilled: asaulo va, ar talúimm na alailu I hope
that he will come tonight.
Consession clauses. These clauses are
introduced with ollar and may take either the indicative, the
subjunctive or even the optative as the sense requires, with the
optative indicating a desire that the speaker wishes the consession
would happen or had happened. Ulpaioho na ais rul ievul, ollar
pionai tanna eien carmen sai he is still ignorant regarding
this, although he read this book of yours.
Impersonal Clauses. There is a small group
of impersonal verbs in regular use in Vaior. Most of these are formed
with a single, particular word, often an adverbial form of some verb,
embedded generally in a clause using the indicative. Sometimes the
subjunctive is used. Often the clause lacks an explicit subject,
which implies generality.
Several of these impersonals have meanings similar
to some of the derivational affixes. These impersonal expressions
typically imply a generality of application, cuadúal
piono it is permitted to read. One could of course say,
cuadúal piono va I am permitted to read, but
normally in this case one would rather say pionthoro va. Which
is used is a matter of personal style.
Note the several forms in -úal. This
is a reduced form of a passive formation, -auíal.
These impersonal forms typically come at the head of
the clause, or after the subject if expressed, but of course there is
great flexibility:
It is best not to mix the impersonals with the
evidence markers.
Instrumental Absolute. Two statements in
relationship may also be expressed using the instrumental absolute
construction. In English this is usually represented with gerund
expressions such as, "the boat having sunk, the travelers swam to
shore." Note that the exact relationship between the two clauses is
not precisely unspecified, and must not have the same subject.
The instrumental abosulute phrase must have at least
the subject of the clause and a participle of the appropriate relative
tense in the instrumental: rhonul parveiolul the man having
moved. The clause may additionally have a complement of some
sort: either a direct object of the verb in the normal case, or some
simple preposisional or adverbial phrase specifying the meaning a bit.
Absolute clauses are not typically more complex than this.
Take care to distinguish the absolute constrution --
where the subjects of the clauses must be different -- from a simple
participle phrase modifying the subject:
Binding Ambiguity and Anaphora. The use of
embedded phrases (relative clauses, participles, etc.) can lead to
certain ambiguities. For example, the word aldoven can
logically go with either lero or daipoth in the sentence
lero tath daipoth fidíal aldoven.. That is, the
woman walking quickly is going home or the woman walking
quickly home is going. In this case, the first meaning seems
most logical, but grammatically, the statement in Vaior presents some
possible confusion.
In these situations there are two remedies. One is
to simply move complex, wordy or ambiguously bound expressions
(linguists call the wordy ones "heavy") that goes with the head verb
(lero, here) out in front of it: aldoven lero tath
daipoth fidíal or even tath daipoth fidíal
lero aldoven. This is an elegant solution, and by far the most
common approach to the problem, even if it does break the most common
word order, Verb-Subect-Object.
Another possibility is to use something like
"clefting." Use an anaphoric pronoun referencing the head of the
ambiguity-causing phrase to signify the resumption of the main clause:
lero tath daipoth fidíal na aldoven.
This pronoun must agree in case and number. So, cathai va carmeran
thíeran piono va naste could be I gave the books which
I read to him or I gave him the books which I read. The
second interpretation can be assured by phrasing it thus: cathai va
carmeran thíeran piono va iran naste. Of
course, naste could also be moved to the head of the sentence.
Finally, the anaphoric pronoun may be used with the
anaphoric verb, AS, to completely disambiguate what is going
on:
This is a little more common than the pronoun alone,
especially in spoken Vaior. Avoid it in writing.
The derivation system of Vaior is fairly complex,
and many of the suffixes themselves entail a certain amount of syntax
or cause case changes which are not necessarily obvious. Further, as
mentioned in the section on derivational morphology, a great many of
the derivational markers come loaded with additional significance
beyond the merely lexical, and the use of a marker such as
-autu- is a potential source of embarrassing social blunders.
Also, many of the modal suffixes (want, hope, etc)
get tricky once your hopes and wants involve other people as the
subject of a clause. Thus, there is both a suffix and a separate verb
stem for "want." It is important to choose the correct form.
This section has a description of all the relevent
case and syntax alterations which crop up when using the derivational
affixes.
Some comments on adverbs. The flexibility of
Vaior's derivation system also brings with it some subtle binding
difficulties. For example, take a sentence like pionninai va naste
lamíal I caused him to read well. The tricky
problem here is determining what exactly lamíal is
modifying, pion- or -nin, that is, "I caused him to read
well" or "I well caused him to read." This problem also crops up for
basic adverbs, and potentially with lu.
In the simplest cases, if you put the adverb at the
head of the sentence it modifies the last affix in the word, that is,
then entire word's meaning. So, lamíal pionninai va
naste means "I well caused him to read."
If the adverb is placed elsewhere in the statement,
generally after the subject, possibly at the end of the rest of the
sentence, the modifier goes with the base stem. So,
notice the distinctions:
If you have multiple affixes involved, there are no
options for modifying the meaning of those internal affixes. Only the
base stem and the final affix can be modified in this way. If it is
really necessary to modify an internal affix it will be necessary to
break out the word via paraphrasis, a process which will be described
next.
Periphrasis. Once you start to involve
negation and other adverbial modifiers in the meaning of a complex
statement, the use of the derivational affixes can get quite muddled
up. In fact, some things are impossible to say using only normal
syntax and the affixes. For example, "I caused him not to go."
cannot be stated simply:
Thus, it is necessary to break apart the affixed
word and resort to more complex syntax. For the causative, it turns
out there is a special independent verb form available, NIEN.
For most affixes, though, you have to craft the forms with AS,
the carrier verb stem.
Most periphrastic forms are cast as result clauses.
Thus:
A punctuation note: normally you'd use a comma
before a conjunction like ar, but in these periphrastic phrases
the relationship is quite tight, so the tendency is to not use the
comma, though of course it is not a mistake to use it.
When the subject of the main verb matches that of
the modifying verbs, you use infinitive complements rather than result
clauses. For example:
Note, though, that while a statement like tuvo va
lerol is grammatically correct, it's a bit odd to avoid the affix
form of TUV when there's no need.
The Causative. With intransitive verbs,
especially the stative variety, using the causative is fairly
straightforward, nal chulo The stone is black becomes,
chulninai va eien nalan I blackened this stone. Note
that the object in this case is in the accusative.
With transitive verbs, however, there is possible
confusion since you now have two objects to account for. For
example, pionu na carmen he will read a book could be
made causative in English as "I will cause him to read a book." The
syntax of English doesn't result in any ambiguity here, so using two
direct objects is no problem. In Vaior, the direct object of the
non-causative form retains its original case, leaving the question of
what to do with the subject of the original statement. In Vaior, that
goes into the dative. So "I will cause him to read a book" is in
Vaior, pionninu va naste carmen.
Emotional -ia. The significance of
-ia has been discussed elsewhere. There is, however, one odd
use of the suffix which needs to be explained. In a number of stems of
emotion, especially friendly ones such as AST, the -ia
form refers to the person toward whom the emotion is felt,
astia friend, rather than the expected meaning
friendship. It turns out that the latter meaning was once
primary, and these words are still sometimes used this way (from a
Stoic text):
It is clear from this example that there is a
comfortable ambiguity between the words "friend" and "friendship."
The sentence makes sense either way, and indeed it isn't clear that
the meaning "friendship" is intended until we reach the very end of
the sentence and counter en rather than na. So, a once
somewhat poetic tendency to refer not to a friend, but to define one's
friend as friendship itself, weakened the originally abstract meaning
of the -ia form of some of these words.
To compensate for this loss, pleonastic forms in
-isia are used: astisia, merisia, etc.
(however, AUHIS does not receive such treatment). These will
be noted in the dictionary as necessary.
When addressing someone by name or title use the
vocative particle e before the name, title or, most often, the
honorific.
Honorifics and Titles. These may precede or
follow a person's name, but most commonly follow.
Formality and Register. It is very important
to distinguish formality and register in Vaior. It is perfectly
common for friends to use an elevated mode of speach among themselves
without this necessarily being formal or distancing.
Standard Register. The form of the language
employed in this grammar is the best example of the standard register.
It is the default in most documentation and day-to-day conversation.
The use of eie-/aie- for ie/au is most
common in this register, and are rarely used in the elevated register.
Elevated. The highest register of Vaior
language is represented primarily syntactically. The formal forms of
greeting and leave-taking are generally used in this register. Other
notable features:
Formal Elevated. In addition to the features
mentioned above, the evidence markers to the verbs are used quite
regularly in this register in formal contexts. This does not
mean the evidence markers are exactly infrequent in normal contexts,
however, merely that their use is more carefully considered in formal,
elevated speech. Sentence-spanning parallelism and chiasmus of
evidence markers is highly regarded in this situation, though tricky
for the inexperienced.
Additionally, there are a few words for which there
are formal equivalents. Once again, CATH is the basic word for
"to give" and DÍECHT is the elevated form. There exists
another form of the word, LORHM, which is used only in the
formal register.
When making requests in the formal langauge
transitive verbs not already marked with the causative marker will
take the form X-aunin-. That is, rather than asking someone to
do something, you are asking him to cause it to be done (implying an
army of servants, originally). So, instead of mido va, faunimm sa
carmen úai Please, close the book, it would be
mido uinna, faunauninimm sa carmen úai.
Poetic. This isn't quite a register. Poetic
language has a parallel vocabulary for quite a number of common words.
Some poets eschew these words as old-fashioned and stilted, but others
are quite fond of them. Using "give" again as the example,
NAURH is the poetic form of that (yes, that's four ways to say
"give" in Vaior). Mostly, though, noun differences form the main body
of poetic vocabulary, where sailone, the moon, is somehow more
dignified or romantic than the common mahe, and
rhiamade, the sun, shines more brightly than the everyday
din.
Do note that the verb ILIM is the poetic
equivalent of S-, to be. It is quite common, and is
often found in the middle with no apparent change in meaning.
Poetic vocabulary is quite common in religous
language, as well as in highly romantic language, which is logical
given the most popular subjects for poetry.
Some branches of artistic prose, meditations,
certain kinds of short stories, etc. will employ poetic
diction from time to time. It's a bit old fashioned, so it can be
used to give the patina of age.
Normally it's considered incredibly tacky and
pretentious to use poetic words in ordinary public speaking, unless
quoting something. In private it can be an effective tool of
seduction. And, as always, some pull out poetic vocabulary for
humorous overstatement.
See this for a list of
poetic words to watch for.
Register Shift. The course of a single,
short conversation may involve several shifts of register and possibly
formality. These shifts are a sort of running commentary by the
speaker(s) on the topic. Keeping in mind that a speaker may shift to
the highest register to be sarcastic or ironic, the elevated register
is typically used:
Finally, keep in mind that in simpler utterances it
will not necessarily be possible to mark register. Longer sentences
are required when you wish to make the register shift perfectly
clear.
A shift in formality is most often a distancing
mechanism. A shift to formal mode will be most evident by the sudden,
regular use of the evidence markers. Some uses:
Of course, if the person you're talking to
apologizes for the cause of your shift to formality, you should shift
back into a regular mode.
Inhaling Bark. Speakers of Vaior spend a lot
of time tiarhol breathing their moods and emotions,
either by experiencing them by breathing them in (antiarhol) or
influencing their surroundings by breathing them out
(oltiarhol) into the world.
Um, yeah... well. There are a few of these
in Vaior, too:
Notable features to keep in mind when
encountering Vaior text:
In general odd numbers are more favorably regarded than
evens. Primes are highly regarded by musicians. Perfect
symmetry is abhorred in all arts.
The vocabulary list has been removed from this
document. Please consult the dictionary
for word definitions.
Syntax
Talu va alailu viaren. I will come here tonight
Alailu ar talu va viaren. I will come here tonight
Attribution and Adjectives
Uses of the Cases
Tuaro va nalan - I see a/the rock.
Tuaro va nalul - I see some rock.
Tuaro va nalan autevul - I see a/the rock by eye.
Tuaro va nalul autevul - I see some rock by eye.
Autevul tuaro va nalul - By eye I see some rock. but...
Tuaro autevul rhon nalul - By eye a man sees some rock.
Piono va aldovesse. I am reading (at) home.
Lerai na narelle He came from there..
Han talu sa viaren? Will you come (to) here?
Silhai na an aldovesse - He stood in the house.
Talo na ol aldovelle - He comes out of the house.
Leru sa an aldoven - You will go into the house.
Verbal Syntax
Parvo va carmen. I move a book.
Parvio carme. A book moves.
Parveio va. I move (myself).
Parvio va. I move (by what agency isn't stated).
Han ce piono sa eien carmen? Have you read this book?
Seri, ce aso va. Yes, I have.
Seri, asai na lervinu Yes, it was yesterday.
Simple Sentences
Complex Sentences
eien uri carmen pionai sa, ennen ta carmen aune vai
You read this book but my sister (read) that book.
lu paio va; lu na me paio I don't know; she also doesn't
know
lu paio va; lu ta me paituvo va I don't know; I also don't
want to know
eien ri carmen pionai sa, ennen ri carmen aune vai
Tuarai na tannan. She saw herself.
Tuarai na nan. She saw him.
Pionu na carmen tannai.
He will read his (own) book.
Pionu na carmen nai.
He will read her book.
Evarai na, tíar lu paio.
He said (he himself) doesn't know.
Evarai na, tíar lu paio tanna.
He said he (himself) doesn't know.
Evarai na, tíar lu paio na.
She said he doesn't know.
Once a tense is established in the primary clause, all other
verb tenses are in realtion to that tense.
A: Han tuaro sa annun rhonan? Do you see that man?
B: Lu lairho va thían. I don't know him.
Tuaro va cúen, thíen na tuaro.
I see everything which he sees.
Tuaro va cúen na tuaro. I see everything he sees.
Lu tharai va líen, thíen evaro na.
I understood nothing which he was saying.
Lu tharai va líen evaro na.
I understood nothing he was saying.
Lu tharai va líen, rul thíevul evaro na.
I understood nothing he was talking about.
Tuaro va cúan, thía intho.
I see everyone (who is) singing
Tuaro va cúan inthothan.
I see everyone singing
Thionu arseine tíar duerceio nir.
The general will order that they stop (at the same time as
the order).
Thiono arseine tíar duerceio nir.
The general orders that they stop (now).
Thiono arseine tíar duerceiu nir.
The general orders that they stop (soon).
Thionai arseine tíar duerceio nir.
The general ordered that they stop (then). No idea of
the command was followed.
Thionai arseine tíar duerceiorrh nir.
The general ordered that they stop (then).
The command was not followed.
Thionai arseine tíar duerceiurrh nir.
The general ordered that they stop (soon).
The command was not followed.
Thionai arseine ar duerceio nir.
The general ordered that they stop (then).
They did.
Durbo va tíar so na tethtuhe. I believe he is a twit
Lu durbo va tíar sorrh na tethtuhe I don't believe
he's a twit.
ulsaufo tuaro enen it is impossible to see it
piníal olhauo neido
it is necessary to meditate daily
ro darso na evarauo it is said that he has died
han cuadúal pentho viare?
is it permitted to sleep here?
lerai aithu rhon oraith eien - having said this, the man
went away
oraithul eien navul vinnevul, lerai aithu rhon -
the/his daugher having said this, the man went away
lero na tath daipoth fidíal aso na aldoven.
Notes on derivational syntax
Lu dauchi astian, arta macúimm sa pemvian,
arta tei san cuesninúimm en.
"Do not seek friend(ship) in order to get benefit, but rather
in order for it to make you virtuous."
Addressing people; formality and register
Idioms and Set Phrases